Artist Biography & Facts

Eve Sonneman

The following is from the website of the artist:
By David Cohen

Eve Sonneman is a photist. Her medium is light, as in lightness of being, radiance, speed, clarity and warmth. She is internationally renowned as a photographer, with a career that shoots across the divide between "art" and "trade" as surely as light does time and space.

Slightly less familiar are her efforts with the paint brush.  Her unique vision finds three principal outlets: watercolor painting, oil painting, and photography. If Sally Bowles could say, "I am a camera", Eve Sonneman can declare, "I am a tripod".  

Her photography subdivides into black and white dipytchs (her trademark, almost) which distill non-sequential time into quivering stillnesses, and Polaroids. These latter further subdivide into blurry, dizzy papparazi-like sketches (sometimes diptychs, too) made with
Polaroid's old-fashioned (in this digital age) handheld instantly developing device, and what one might call "machines" in the salon sense, grand set-to pieces whose creation involves wizardry in the Polaroid Studio, where the vision is correspondingly cosmic.  These are her Sonnegrams.

The Sonnegram, in which dancers, swimmers and sportsmen are superimposed upon NASA photos of various planets and their moons, exploits a personally patented technology. In naming it so, Sonneman claims parity with, and at the same moment pays homage to, two paternal heros, Man Ray (he of the Rayogram) and her own father, Eric Sonneman, discoverer of antistatic and of a means to make golf balls fly faster. Eve Sonneman is a formal eclectic whose every diverse creation bears the unmistakable stamp of her sensibility. The art world is a tolerant and decent enough place but it is rarely capable of keeping up with the generosity of spirit of the men and women it serves, artists, preferring to cordon off their efforts into singular, marketable "lines". This year, however, followers of Eve Sonneman have a welcome chance to see her disparate efforts together, to savor her unity in diversity.

Sensitivity to each medium is Sonneman's glory. She responds with a vision as much as a touch specific to her chosen means. Her oils, worked slowly over many months, exploit stillness and quietude. Sensations of pure color are isolated.  Individual cells must be
brought together by the viewer's eye into dynamic interaction. Her watercolors, which she makes daily with diaristic fidelity, working whenever the temperature allows on her New York terrace, extend the obsession with orbs found in her oil paint pointillism and her Polaroid planets, but exploit the transparency and chance effects of the medium. Arrested explosions and implosions of radiant color collapse the boundaries between time and space.  The Polaroids dramatize, almost one might say, satirize, the enigmas discovered, in the abstract, in her watercolors. They offer chance encounters between two kinds of play: they are collisions of imagination and of light.

EVE SONNEMAN

Born in Chicago, Illinois
BFA, University of Illinois
MA, University of New Mexico
Lives and works in New York City and Cannes, France

GRANTS

1996 Adolph and Esther Gottlieb Foundation, Inc.
1989 Foundation Cartier for Contemporary Art, France Polaroid Corporation
Grant
1988 Polaroid Corporation Grant
1978 Polaroid Corporation Grant for work in Polavision National Endowment
for the Arts
1978 National Endowment for the Arts
1977 Institute for Art and Urban Resources, New York
1972 National Endowment for the Arts
1970 Boskop Foundation Grant in the Arts, New York
1969 Boskop Foundation Grant in the Arts, New York

WORK IN PERMANENT COLLECTIONS

Museum of Modern Art, New York
Metropolitan Museum of Art, New York
New York Public Library
New York Historical Society
The Chase Manhattan Bank Collection, New York
Warner Communications, New York
Castellani Art Museum, Niagara University, NY
Redding Museum, PA
Cincinnati Art Museum, OH
Corcoran Gallery of Art, Washington, DC
Museum of Contemporary Art, Honolulu, HI
Art Institute of Chicago, IL
Museum of Contemporary Art, Chicago, IL
Museum of New Mexico, Santa Fe, NM
The Minneapolis Institute of Arts, MN
New Orleans Museum of Art, LA
George Eastman House, Rochester, NY
Yale University Art Gallery, New Haven, CT
Wadsworth Atheneum, Hartford, CT
Wellesley Museum of Art, MA
Center for Creative Photography, Tucson, AZ
Tucson Museum of Art, AZ
Dallas Museum of Fine Arts, TX
Art Museum of South Texas, Corpus Christi, TX
Menil Foundation, Houston, TX
The Art Museum, Princeton University, NJ
San Francisco Museum of Modern Art, CA
Armand Hammer Museum at UCLA, Los Angeles, CA
Pacific Enterprises, Los Angeles, CA
Museum of Contemporary Art, Los Angeles, CA
Le Nouveau Musée, Lyon, France
Bibliothèque de Reims, Reims, France
Bibliothèque Nationale, Paris, France
Centre Georges Pompidou, Paris, France
Musée de Toulon, France
Fondation Cartier for Contemporary Art, Paris, France
Rheinisches Landesmuseum, Bonn, Germany
Mudam, Museum of Modern Art, Luxembourg
Toppan Museum, Tokyo, Japan
National Gallery of Australia, Canberra, Australia
Lang Communications, London, UK
Sonesta Hotel, Boston, MA

ONE PERSON EXHIBITIONS

2011 "Watercolors," recent work from Cote D'Azur, Palais Royal, Cannes,
France
"Eve Sonneman: Recent Work," The Carlton Club, London, England
The Castle Gallery, Slovenia Film Festival, Ljubljana, Slovenia
Brill Gallery, North Adams, MA
Art Museum, University of New Mexico, Albuquerque, NM
Manhattan Theatre Source, New York
Palais Royal, Cannes, France
Bibliothèque de Reims, France
Galerie Farideh Cadot, Paris
2006 Fundación Mundo Nuevo, Buenos Aires, Argentina
2005 Mingle, Tokyo, Japan
Galerie JM'Arts, Paris, France
I Space, Chicago, IL
2004 University Art Gallery, University of Texas, Dallas, TX
2003 Castello di Camigliano, Montalcino, Siena, Italy
Galeria Turchi, Montalcino, Siena, Italy
2001 Fennimore Art Museum, Cooperstown, NY
2000 Metropolitan Museum of Photography, Tokyo, Japan
Fenimore Art Museum, Cooperstown, NY
1999 Cartier Foundation for Contemporary Art, Paris, France
1998 Cirrus Gallery, Los Angeles, CA
1997 Cartier Foundation for Contemporary Art, Paris
Geode Museum of Science and Industry, Paris
1995 Geode Museum of Science and Industry, Paris
The Art Museum of New Mexico, Albuquerque, NM
Jones Troyer Fitzpatrick, Washington, DC
1991 Grand Central Terminal, Light Installation sponsored by Arts for Transit, NY

GROUP EXHIBITIONS

2012 PHOTON, Photo International Festival of Vienna and Slovenia
Photo Biennale of Vienna and Ljubljana
2011 "Posters from Museum Exhibitions," Centre Georges Pompidou, Paris,
France
"Illuminations," curated by Dr. Bruce A. Chabner, M.D., Harvard Medical
School, Boston, MA
"The Armory Show - Modern," Nohra Haime Gallery, New York
"An Exchange with Sol Le Witt," Massachusetts Museum of Contemporary
Art, North Adams, MA
Slovenia Film Festival, The Castle Gallery, Ljubljana, Slovenia
"Summer-Fall-Winter-Spring" Four Seasons-Four Paintings by Eve
Sonneman, Sonesta Hotel, Boston, MA
2010-11 "Bowery Artists Tribute," The New Museum, New York
"Objects of Desire," Nohra Haime Gallery, New York
2010 "Metamorphosis," Nohra Haime Gallery, New York
"Art Chicago," Nohra Haime Gallery, Chicago, IL
"Starburst-Color Photography in America 1970-1980," De Young Museum San
Francisco, CA; Cincinnati Art Museum, OH; Princeton University
Art Museum, NJ
"Jeu de Paume," curated by James Crumps and Kevin Moore with 9 Eve
Sonneman diptychs, Paris
"Brave New World: From the Perspective of Mudam Collection," Musee
d'Art Moderne Grand-Duc Jean, Luxembourg
The Menil Collection, Houston, TX
"Artists Books," Paris Photo, Hatje Cantz Publishers, France
Large-scale Polaroids, Farideh Cadot Galerie, Paris
"New York, New York," Kitchen Habitat (curated by Sabrina Wirth), New
York
"Around Photographs," Farideh Cadot Galerie, Paris
"Powerhouse Books," The Armory Show, New York
"Recent Acquisitions: Landscape Photography," Fennimore Art Museum,
Cooperstown, NY
2009 "Art Miami," Nohra Haime Gallery, FL
"Funny Fotos," curated by Jonathan Spies, Zabriskie Gallery, NY
2008 "Modern Photographs: The Machine, the Body and the City," Selections
from the Charles Cowles Collection, The Parrish Art Museum,
Southampton, NY
"20th Century Photographs from the Menil Collection," Houston, TX
"Photo Miami," Nohra Haime Gallery, Miami, FL
2007 "As Far As The Eye Can See," Lawrence Weiner, Whitney Museum of
American Art, New York City
Bibliothèque de Reims, France
"The Publications of Editions Génerations," Castellani Art Museum of
Niagara University, New York
"The Target Collection of American Photography," curated by Anne
Tucker, The Museum of Fine Arts, Houston, TX
"The Target Collection," Art Museum of South Texas, Corpus Christi, TX
Baryshnikov Art Center, New York
The Humane Society of New York
The Massachusetts Consortium, Amherst, Harvard, M.I.T. Museum
Collections, MA
2006 "Polaroid Work," curated by Barbara Hitchcock, Alinari Museum,
Florence, Italy
Galerie Farideh Cadot, Paris
The Massachusetts Consortium: Amherst, Harvard, MIT, Museum
Collections, MA
Castello Di Carmigiliano, Sienna, Italy
The Washington Consortium, Seattle & Bellingham, WA
Photographic Resource Center, Boston, MA
2005 Mundo Nuevo, Buenos Aires, Argentina
Houston Center for Photography, Houston, TX
Galerie Farideh Cadot, Paris
"'Music' in Art," curated by Peter Noser, Castello Di Camigliano,
Montalcino, Italy
2004 "Topographics," Bruce Silverstein Gallery, New York
"100th Anniversary Humane Society of New York," Robert Miller Gallery,
New York
"Work from the Nikkel Collection," Museum of the University of New
Mexico, Albuquerque
Art Expo, New York
Santa Barbara Art Museum, CA
Paris Photo, Caroussell du Louvre, Paris
The Armory Show, New York
2001 Museum EKI, Kyoto, Japan
Takamatsu City Museum of Art, Takamatsu, Japan
Museum of Contemporary Art, Sapporo, Japan
"Here is New York: A Democracy of Photographs," 116 Prince Street, New
York
"Fashion Factory," Galeria Turchi, Montalcino, Siena, Italy
"Art and Vino," Castello Di Carmigliano, Siena, Italy
"Paris Photo/Artist's Books," Carrousel du Louvre, Paris
2000 "American Perspectives: Photographs from the Polaroid Collection,"
curated by Michiko Kasahara, Noriko Fuku and Barbara Hitchcock
(with catalogue), Tokyo Metropolitan Museum of Photography,
Japan
"Fundamental Occurrences," curated by Catherine Umsted, Malca Fine Art,
New York
"Sequence, Order, Revolution," Eleanor Barefoot Gallery, New York
"Into the New Century," Nohra Haime Gallery, New York

SELECTED LECTURES

2011 University of Tulsa, Tulsa, OK
2004 University of Texas, Dallas, TX
2000 New York University, New York
1997 Society of Photographic Educators, keynote speaker, NYU, New York
Santa Barbara Museum of Art, CA
1984 Schloss Mickein, Art Symposium, Dusseldorf, Germany
1982 Santa Barbara Museum of Art, CA
1980 Contemporary Arts Center, New Orleans, LA
Centre d'Arts Plastiques Contemporains de Bordeaux, France
Portland Art Museum, OR
1979 International Center of Photography, New York
Museum of Fine Arts, Houston, TX
1976 Princeton University, The Visual Arts Program, NJ
1974 Rice University, Houston, TX
1972 Art Museum of South Texas, Corpus Christi, TX
Harvard University, Carpenter Center, Cambridge, MA
1971 New York University, New York
1970 Cooper Union College of Art and Architecture, New York

EXHIBITIONS CURATED

1998 "The Mentors Show," Art Directors Club, New York
Visual Arts Gallery, New York
1997 Visual Arts Gallery, New York
1984 "Is This a Natural World?" Cirrus Gallery, Los Angeles, CA
1980 "Louisiana Invitational," The Contemporary Arts Center, New Orleans, LA

TEACHING

1999-2000 New York University, Guest Artist, Graduate Art Department
1997-1999 Chairperson, Photography Department, School of Visual Arts, New
York
1975-1990 School of Visual Arts, New York
1985 Cooper Union College of Art and Architecture, New York
1975-1978 Cooper Union College of Art and Architecture, New York
1972-1975 City University of New York, New York
1971-1972 Rice University (Visiting Artist), Houston, TX
1970-1971 Cooper Union College of Art and Architecture, New York

FILMS SHOWN

2000 Centre Georges Pompidou, Paris, France
1982 Castelli Graphics, New York
1980 Rheinisches Landesmuseum, Bonn, Germany
1979 Galerie Farideh Cadot, Paris, France
1977 Art Institute of Chicago, IL
1976 University of Rochester, NY
Rice University, Houston, TX
Bard College, Annandale, New York
1975 Ann Arbor Film Festival, MI
1974 Canyons Cinematheque, San Francisco, CA
1973 "Films," Whitney Museum Art Resources Center, New York

CD-ROM

1996 "Blue Sky Gallery-20 Years," Portland, OR

TELEVISION

2009 "Late Night with David Letterman," NBC
2002 "Artists Respond to 9/11," New York One
1996 "A History of Women in Photography," CNN
1989 "Late Night with David Letterman," NBC
1985 "Eve Sonneman at M.O.M.A," Costa Rica
1984 "Eve Sonneman at Centre Georges Pompidou, Paris," Belgian Television,
half-hour special
1980 "Innertube," Cable Television, special by Paul Tschenkel
1976 "Group Portrait: 3 Photographers of New York State," a film about
Eugene Smith, John Wood and Eve Sonneman, Cable Arts (made
possible by a grant from New York State Council on the Arts)
"Eve Sonneman exhibition at Castelli Gallery," Cable Television
special, interview by Bruce Kurtz, camera work by Paul
Tschenkel

SELECTED BIBLIOGRAPHY

"15 Favorite Artists," Salon Magazine, Germany, September 1977.
Aletti, Vincent. "Art Choices," The Village Voice, Vol. XLI, No. 8, 1996.
. "Photo: Eve Sonneman at Bruce Silverstein," The Village Voice, Vol. XLVII, No. 15, 2002.
. "Eve Sonneman at Nohra Haime Gallery," The New Yorker, November 11, 2009.
Aperture, No. 89, 1982, p. 3.
Architectural Digest, September 2001, p. 262.
Archtype: The Magazine of Architecture and Other Arts, Vol. 2, No. 2, 3, Winter/Spring 1981, pp. 53, 59.
Art at Work. The Chase Manhattan Collection, E.P. Dutton, Inc., New York, 1984, p. 212.
Art Direction, Vol. XXX, No. 3, color photograph and statement, June 1978, p. 83.
Artforum, February 1996.
Artforum, Vol. XV, No. 1, printed matter and photographs of artists at PS1, September 1976, pp. 74-75.
"Artists Aid Dance," The New York Times, May 15, 1981.
Asahi Camera. Japan, pp. 154-159.
Attitudes. Santa Barbara Museum of Art, 1979, exhibition catalogue, p. 402.
"Au Musée de la Ville: Photographies et Talent," Marseilles, review of the Toulon exhibition, May 17, 1983.
Balka, Sigmund and Holly Block. The Art of Sport. The Bronx Museum of the Arts, 1988, exhibition catalogue.
Barnes, Steve. "Eve Sonneman / Nohra Haime," ARTnews, March 2011, p. 113, illustrated.
Baum, Timothy. Eve Sonneman. Museo de Arte Modemo, San Jose, Costa Rica, 1985, exhibition catalogue.
Bazzoli, Françoise and Marie-Claude Beaud. Sans Titre. Musée de Toulon, 1984, exhibition catalogue.
Bell, Tiffany. "Eve Sonneman's Progressions in Time," Artforum, Vol. XVII, No. 2, October 1979, pp. 56-59.
. Flash Art, No. 119, November 1984, pp. 41-42.
Billeter, Peter. "Sonneman at Peter Noser Galerie," Tages-Anzeiger, Culture, Zurich, Dienstag, January 22, 1985.
Brody, Jacqueline. The Print Collector's Newsletter, Vol. XI, No. 2, May-June 1978, p. 53.
Brown, Roger. "Eve Sonneman," Kunstforum International, June/July/August 1986, p. 184.
Cabrera, Rem. "Color Comes to Kane Concourse," Palm Beach Review, May 11, 1990, pp. 12-13.
Cahill, Timothy. "Silver Sun," Chronogram, August 2007, p. 18 and cover.
. Chronogram, September 2007, p. 15 and cover.
Cahiers du Cric, Le Nouveau Musée, Lyon, France, 1983, p. 12.
Caldwell, John. "Whimsical Stories at Museum Gallery," The New York Times, Sunday, May 2, 1982, p. 22.
Carlson, Marvin. Performance: A Critical Introduction. Routledge, 1996, p. 140.
Cohen, David. Eve Sonneman: Paintings, Watercolors & Polaroid Sonnegrams. New York, 2003, exhibition catalogue.
. "Stereo Cropdusting: Eve Sonneman at Nohra Haime Gallery," Artcritical.com,
Monday, February 21, 2011, pick of the week.
http://artcritical.com/2011/02/21/eve-sonneman/
Coke, Van Deren. Portraits of Artists-Faces Photographed. Museum of Modern Art, New York, 1985, exhibition catalogue.
Colpitt, Frances. "For Distant Viewing," Journal, 1979.
Crary, Jonathan. Arts Magazine, Vol. 53, No. 3, November 1978, p. 3.
Corssley, Mimi. The Houston Post, photograph and review, December 2, 1977, p. 8E.
Cunniff, Rick. "Eve Sonneman: Studio Visit," Artcritical.com, artist portraits by Bruce strong, 2002.
Dahlin, Robert. "Spring Crop of Books Offers Wealth of Wisdom," The Lichfield County Times, April 27, 1990, p. 19.
Davidson, Roy. "Books," Pacific Horticulture, Issue 10, 1991.
Davis, Douglas. "After Photography," Village Voice, April 1-7, 1981, p. 34.
. "Joys of the Multiple Image," Newsweek, August 16, 1982, p. 63.
Davis, Harold. Successful Fine Art Photography. Images Press, interview, 1992, p. 143.
Deitch, Jeffrey. Arts Magazine, Vol. 51, No. 4, December 1976, p. 5., article and photo.
Denizot, René. Mot Pour Mot. Yvon Lambert, Paris, 1979, pp. 136-137, photos.
"Destacada fotógrafa extranjera continúa con festival 'Arte Hoy'," La Nación, Costa Rica, June 10, 1985, photograph and review.
Diverse Images. Amphoto, New Orleans Museum of Art, 1979, pp. 88, 117.
Donovan, Molly and Ruth E. Fine. Women Artists in the Vogel Collection. Curated by Jean Westmacott, Brenau University, Gainesville, Georgia, 1998.
Edkins, Diana. Eve Sonneman at I Space. Chicago, 2005, exhibition catalogue.
. "People are Talking About…," Photography: Embraceable Hue, July 1985, p. 44.
_______ _ __. "Eve Sonneman," La Côte d'Azur. Nohra Haime Gallery, New York, October 2009, exhibition catalogue, illustrated.
"Eve Sonneman at Bruce Silverstein," The New York Times, Arts and Leisure, Sunday, April 28, 2002, p. 39.
Exposure, 14:4, front and back cover, December 1976.
"Exposures," Village Voice, April 10, 1978, two photographs as a centerfold.
Farrell, Kate and Kenneth Kock. Talking to the Sun: An Illustrated Anthology of Poems for Young People. The Metropolitan Museum of Art, Henry Holt and Co., November 15, 1985, p. 103.
Findsen, Owen. The Cincinnati Enquirer, Section 11-18, December 9, 1979.
Flash Art, No. 76/77, three photographs and statement about Eve Sonneman's Documenta 6 work, July-August 1977, p. 48.
Flash Art, No. 68-69, PS1 review, October-November 1976.
Floods of Light: Flash Photography. 1851-1981. The Photographers Gallery, London, 1982, p. 89.
Foote, Nancy. "The Apotheosis of the Crummy Space," Artforum, Vol. XV, No. 2, October 1976, p. 33.
Foreman, B.J. The Cincinnati Post, December 13, 1979, p. 30.
Foresta, Merry. Exposed and Developed. National Gallery of American Art, 1984, pp. 124-125, exhibition catalogue.
Frackman, Noel. Arts Magazine, photograph and review of Castelli exhibition, Vol. 52, No. 10, June 1978, pp. 37-38.
. "Review: Edward Ruscha/Eve Sonneman/Keith Sonnier," Arts, Vol. 52, No. 10, June 1978, p. 38.
. "The Dog Show," Arts Magazine, Vol. 52, No. 3, 1977, p. 30.
Frank, Peter. "Art Picks of the Week," L.A. Weekly, June 29, 1997.
. Artnews, Vol. 76, No. 2, p. 120.
Fussman, Amy. Cover Magazine, photograph by Duane Michals, 1997.
"Gardening Wisdom," Self, photographs by Eve Sonneman, May 1992, p. 82.
General, M. "Just Published," Los Angeles Times, April 28, 1990.
Glueck, Grace. "Art People: A World of Competition," The New York Times, June 24, 1977, p. C22.
"Goings on About Town," The New Yorker, July 21, 1975, p. 6.
"Goings on About Town," The New Yorker, December 13-20, 1976, p. 10.
Goldberg, Vicki. "Women Get a Place in the Big Picture," The New York Times, November 8, 1996.
Gopnik, Adam. "Ecostyle: Out on a Limb," Elle Décor, Feb/Mar 1993, p. 40.
. Where Birds Live. Random House Inc., New York, 1992.
Green, Jonathan. American Photography: A Critical History. 1945-Present. Harry N. Abrams, Inc., 1984, pp. 154, 223.
Green, Roger. "Single Exposures with Dual Themes," La Gniappe, World of Art in New Orleans, May 3, 1985, p. 14.
Griswold, Mac. "America Bound," House and Garden, June 1990, p. 78.
Grundberg, Andy. "Books in Review," Modern Photography, August 1977, p. 144.
. "Eve Sonneman," The New York Times, 1989, pp. 200-201.
. "Mixing Art and Commerce," The New York Times, Section 2, C/S, May 24, 1981.
. "New York, New York," SOHO Weekly News, April 19-25, 1979, p. 32.
. "Photography View; Exploiting The Glut of Existing Imagery," The New York Times, January 31, 1982.
. "Photography - Chicago, Moholy, and After," Art in America, Vol. 64, No. 5, Sept/Oct 1976, p. 39.
. "Photography Has Become Part of the Practice of Art," The New York Times, Sunday, December 26, 1982.
. "Photography View; Eve Sonneman's Explorations," The New York Times, April 18, 1982.
Grundberg, Andy and and Marie-Claude Beaud (curator). Eve Sonneman: Work from 1968-81. Musée de Toulon, France, 1983, exhibition catalogue.
Grundberg, Andy and Cathy Gauss. Photography and Art. Cross River Press, 1989, pp. 114, 139, 152.
Gugliotta, Terry. "Altered Dimensions," MIRAGE, University of New Mexico magazine, Spring 1998, front & back cover, pp. 18, 19.
Hagen, Charles. "Art in Review," The New York Times, February 16, 1996, p. C24.
Hansen, T. Victoria and Eleanor Heartney. Presswork: The Art of Women Printmakers. Lang Communications, New York, 1991.
Hart, Russel. "Life Lessons," American Photo, May 1998, p. 21.
Hartwell, Carroll T. The Making of a Collection. Photographs from the Minneapolis Institute of Arts. Aperture, 8 photographs by Eve Sonneman, 1985.
Heifernan, Marvin. "Starburst: Color Photography in America 1970-1980," Art in America, March 2009.
Heller, Jules and Nancy G. Heller. North American Women Artists of the Twentieth Century: A Biographical Dictionary. Garland Publishing, Inc., 1995, p. 520.
Heresies, Vol. 1, No. 2, photographs by Eve Sonneman, 1977, p. 119.
Hershenson, Roberta. "From The Inside of a Camera, Children Discover Photography," The New York Times, February 19, 1989.
Hiss, Tony. "The Talk of the Town," The New Yorker, July 21, 1986, p. 24.
Holbert, Ginny. Chicago Sun Times, book review, May 6, 1990, B3.
Holliday, Taylor. "A Place of Their Own in Photo History," The Wall Street Journal, December 31, 1996.
Honnef, Klaus. "Eve Sonneman," Kunstforum International, March/April/May 1986, pp. 108-111.
Horne, David. The Arizona Daily Star, Sunday, May 17, 1981, photograph and review.
Howell, Mike. Maine Times, September 10, 1976.
"How To Touch What: Winner of the Folio 2000," Art On Paper, Gold Award for Editorial Excellence, January 2001.
"Image-Making, The Altered Photograph Shelly Rice," SOHO Weekly News, 1979, p. 50.
Januszczak, Waldemar. The Guardian, review, February 2, 1983, p. 11.
Jeffett, William. "Eve Sonneman," Contemporary, Issue #52, London, 2003, p. 72.
Jones, Joyce. "Supporting a Woman's Right to Shoot," The Washington Post, Weekend Edition, March 7, 1997, pp. 22, 23.
Journal de la Biennale, reproductions of photographs from Real Time in September 17, 1977, November 1, 1977, p. 3.
Juhm, Annette. "A Friendly Invasion of Europe," The Village Voice, June 10, 1977.
"Julian Pretto, 50; Owned Art Galleries," The New York Times, May 24, 1995.
Karmel, Pepe. "Photography Raising a Hue: The New Color," Art in America, January 1982, p. 27.
Kertess, Klaus. Eve Sonneman: Photographs and Paintings 1969-1996. Sidney Janis Gallery, New York, 1996, exhibition catalogue.
. Roses are Red. Editions Génerations, Paris, 1982, with photographs by Eve Sonneman.
Kingsley. The SOHO Weekly News, April 1977.
Knight, Christopher. "Photography: Provocative Exploration of a World in Flux," Los Angeles Herald Examiner, January 18, 1981, p. E8.
Kramer, Hilton. "Art: The Met Exhibits Some of its Best Photos," The New York Times, March 12, 1982.
Kurtz, Bruce. Art in America, Vol. 65, No. 1, January 1977, photograph, pp. 126-127.
. Eve Sonneman: Work from 1968-1978. The Hudson River Museum, New York, 1982, exhibition catalogue.
Latour, Martine. "What's Choice," Mademoiselle, photograph from Castelli exhibition, December 1976, p. 54.
Lauwaert, Dirk. France Photographie, No. 88, October 1984.
Leffingwell, Edward. "Eve Sonneman at Bruce Silverstein," Art in America, October 2002, p. 156.
Leimbach, Dulcie. "Ornithological Structures," The New York Times, December 27, 1991, p. C5.
Leonian, Edith. Photography Annual. 1978, photograph of Eve Sonneman, pp. 24-26.
Lewis, JoAnn. "Women Get Their Shot," The Washington Post, March 2, 1997.
Libpert, Werner. " Alternatives from New York," Heute Kunst, No. 17-18, photographs and interview with Eve Sonneman, Feb/Apr 1977, p. 3.
Life, April 1982, pp. 13-18, photos and article.
Lifson, Ben. "Features: Artist's Books," Artforum, Summer 1993, p. 103.
Linker, Kate. Artforum, April 1982, pp. 29, 30.
Little, Carl. "Eve Sonneman at Zabriskie," Art in America, October 1990, pp. 213-214.
Lives. Photographs by Eve Sonneman, 1975, p. 43, catalogue.
Looking at Women. Artemisia Gallery, Chicago, 1983, exhibition catalogue.
Malcolm, Janet. "Photography: Maximilian's Sombrero," The New Yorker, July 6, 1981, p. 94.
. "Photography: Two Roads," The New Yorker, December 4, 1978, pp. 227-234.
Maltz-Leca, Leora. "Starburst: Color Photography in America: 1970-1980," Artforum, March 2010.
http://www.artforum.com/picks/id=25132&view=print
McCormack, Ed. "Eve Sonneman at Jadite," Gallery & Studio, The World of the Working Artist, Feb/Mar 2002, Vol. 4, No. 3, p. 23.
Meyer, Ruth K. Photographs by Eve Sonneman, 1974-79. The Contemporary Arts Center, Cincinnati, Ohio, 1980, exhibition catalogue.
Miller, Marc H. "Television's Impact on Contemporary Art," essay for Queens Museum exhibition, 1986, pp. 20-21.
Mitchel, Deborah. "Doodles," The New York Observer, December 1991, p. 6.
Mollison, James, Laura Murray and Margaret Steven. Australian National Gallery: An Introduction. Australian National Gallery, Canberra, 1982, pp. 132, 135.
Monda, Antonio. "Gli Occhi delle Donne," MONDO, November 21, 1996.
Moore, Kevin, James Crump, and others. Starburst: Color Photography in America 1970-1980. Published in conjunction with a travelling exhibition originating at Cincinnati Art Museum including 9 Eve Sonneman diptychs, 2010.
Museum and Arts Magazine, Washington, DC, 1989.
"Museum News," December 1996.
"Museum Preview 1996-97: A History of Women Photographers, Washington, D.C.," Art in America, 1996.
Naef, Weston J. Counterparts: Form and Emotion in Photographs. The Metropolitan Museum of Art, 1982, pp. 102-105.
"New York," Picture, Issue 19, 1982, pp. 44, 45, 68, 69.
New York State Historical Association. Fenimore Art Museum, catalogue, 2000.
Nuridsay, Michel. "Eve Sonneman: l'instant et le moment," Le Figaro, November 21, 1977, p. 24.
"Observations; ¼ Mile in the Sky," Flash Art, No. 70/71, January 1977, photograph.
Olson, Roberta J. M. "For Immediate Release: News of American Artists Selected for the 10th Biennale de Paris," The SOHO Weekly News, December 2, 1976, p. 33.
Painting, Drawing and Sculpture of the 60's and 70's from the Vogel Collection. The Institute of Contemporary Art, University of Pennsylvania, 1975, catalogue.
Parry Janis, Eugenia. One of a Kind: Recent Color Polaroid Photography. David R. Godine, 1979, pp. 17, 45.
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