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Jan Gabrielsz Sonje

Jan Gabrielsz Sonje (1625 - 1707) was active/lived in Netherlands.  Jan Sonje is known for Landscape painting with an Italianizing character.

Jan Gabrielsz Sonjé was born in Delft around 1625 and was a pupil of Adam Pynacker. He enrolled in the guild of the city in 1646 and was documented in Rotterdam in 1654 and in Dordrecht in 1665. He specialized in landscape painting and his work had an affinity with Frederick Moucheron, especially when he painted views with an Italianizing character. Although there are no known documents concerning a trip to Italy, Pynacker's art certainly allowed him to acquire the patterns and characteristics of brightness of the Italian landscape during his apprenticeship.

Artist auction records

.  askART's database currently holds 43 auction lots for Jan Gabrielsz Sonje (of which 23 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

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Research resources

.  askART lists Jan Gabrielsz Sonje in 0 of its research Essays. Jan Gabrielsz Sonje has 0 artist signature examples available in our database.

Similar artists

.  There are 18 similar (related) artists for Jan Gabrielsz Sonje available:    Franz Hochecker,  Jan Griffier I,  Jacob Van De Kerckhoven,  Cornelis Mahu,  Roelof Jansz van Vries,  Francesco Giuseppe Casanova,  David Ryckaert III,  Franz De Paula-Ferg,  Adriaen de Gryeff,  Pieter (Standaard) van Bloemen,  Karel Breydel,  Jan Miense Molenaer,  Thomas Heeremans,  Nicolaes Maes,  Klaes (Nicolaes) Molenaer,  Joost Cornelisz Droochsloot,  Jan (The Younger) Brueghel,  Frans Francken II The Younger



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Facts about Jan Gabrielsz Sonje

Jan Gabrielsz Sonjé was born in Delft around 1625 and was a pupil of Adam Pynacker. He enrolled in the guild of the city in 1646 and was documented in Rotterdam in 1654 and in Dordrecht in 1665. He specialized in landscape painting and his work had an affinity with Frederick Moucheron, especially when he painted views with an Italianizing character. Although there are no known documents concerning a trip to Italy, Pynacker's art certainly allowed him to acquire the patterns and characteristics of brightness of the Italian landscape during his apprenticeship.

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