Artist Biography & Facts

Konstantin Alexievitch Korovine

Konstantin Alekseyevich Korovin was a leading Russian Impressionist painter.

Konstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir gubernia.  His father, Aleksey Mikhailovich Korovin, earned a university degree and was more interested in arts and music than in the family business established by Konstantin's grandfather.  Konstantin's older brother, Sergey Korovin, was a notable realist painter.  Konstantin's relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture.

In 1875 Korovin entered the Moscow School of Painting, Sculpture and Architecture, where he learned from Vasily Perov and Alexei Savrasov. His brother Sergey was already a student of the School.  During their scholar years the Korovins became friends with their fellow students Valentin Serov and Isaac Levitan; Konstantin kept these friendships through the whole of his life.

In 1881-1882, Korovin spent a year at the Imperial Academy of Arts in Saint Petersburg, but returned disappointed to the Moscow School of Painting, sculpturing and architecture.  He studied at the school under the new teacher Vasily Polenov until 1886.

In 1885, Korovin traveled to Paris and Spain. "Paris was a shock for me … Impressionists… in them I found everything for what I was scolded back at home, in Moscow", he later wrote.

Polenov introduced Korovin to Savva Mamontov's Abramtsevo circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others.  The Abramtsevo circle's love for stylized Russian themes is reflected in Korovin's picture A Northern Idyll. In 1885 Korovin worked for Mamontov's Opera house. He designed the stage decor for Giuseppe Verdi's Aida, Léo Delibes' Lakmé and Georges Bizet's Carmen.

In 1888, Korovin traveled with Mamontov to Italy and Spain, where he produced the painting On the Balcony, Spanish Women Leonora and Ampara. Konstantin traveled within Russia, Caucasus and Central Asia, exhibited with Peredvizhniki.  He was painting in the Impressionist and later in the Art Nouveau style.

In the 1890s, Korovin became a member of the Mir iskusstva art group.

Korovin's subsequent works were strongly influenced by his travel to the North.  In 1888 he was captivated by the stern northern landscapes, as seen in The Coast of Norway and The Northern Sea.

His second trip to the North, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, Saint Trifon's Brook in Pechenega, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for the Korovin's art of the 1890s.

Using material from his northern trip, Korovin designed the Northern Railway pavilion at the All Russia Exhibition of 1896 at Nizhny Novgorod.

In 1900, Korovin designed the Central Asia section of the Russian Empire pavilion on the Paris World Fair; and was awarded the Legion of Honour by the French government.

In the beginning of the 20th century Korovin focused his attention on the theatre. He moved from Mamontov's opera to Mariinsky Theatre in Saint Petersburg. Departing from the tradition of the stage decor, which only indicated the place of action, Korovin produced a mood decor, which conveyed the general emotions of the performance. Korovin designed sets for Constantin Stanislavski's dramatic productions, as well as Mariinsky's operas and ballets. He did the stage design for such Mariinsky's productions of Faust (1899), The Little Humpbacked Horse (1901) and Sadko (1906) that became famous for their expressiveness.

In 1905, Korovin became an Academician of Painting, and in 1909-1913, he was a professor at the Moscow School of Painting, Sculpture and Architecture.

One of the artist's favourite themes was Paris.  He painted A Paris Cafe (1890s), Cafe de la Paix (1905), La Place de la Bastille (1906), Paris at Night, Le Boulevard Italien (1908), Night Carnival (1901), Paris in the Evening (1907) and others.

During World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen at the front line.  After the October Revolution Korovin continued to work in the theatre, designing stages for Richard Wagner's Die Walküre and Siegfried as well as Pyotr Ilyich Tchaikovsky's The Nutcracker (1918-1920).

In 1923 Korovin moved to Paris by the advice of the Commissar of Enlightenment, Anatoliy Vasilievich Lunacharsky, to cure his heart condition and help Korovin's handicapped son.  There was supposed to be a large exhibition of Korovin's works but the works were stolen and Korovin was left penniless. For years he produced the numerous Russian winters and Paris boulevards just to make ends meet.

In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for a production by the Turin Opera House of Nikolai Rimsky-Korsakov's The Golden Cockerel.

Korovin died in Paris on September 11, 1939.

Konstantin's son Alexey Korovin (1897-1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.


Source:
Wikipedia, http://en.wikipedia.org/wiki/Konstantin_Korovin

Born in Moscow in 1861, Konstantin Korovine was one of the most virtuosic exponents of the Russian Impressionist movement, leaving behind him a lasting artistic legacy. His fascination with light and color became the common thread running through his artistic career. Although he traveled frequently between France and Russia during his career, Korovine had to leave his native country for good in 1922, settling in Paris, where he quickly made a name for himself among Parisian artists. The summer months often took him to the south of France, whether for personal reasons linked to the health of his son Alexis, who was suffering from tuberculosis, or for professional commitments. This period of travel and artistic exploration imbued his work with a diversity of landscapes and influences. Our painting, entitled "Seaside in France", bears witness to Korovine's French period, when his brush came to life with vigor and texture, translating pictorial forms almost schematically. The artist favors bright, contrasting colors, skilfully playing with complex mixtures applied in rhythmic, energetic strokes. This distinctive approach enables her to harmonize form, color and light, resulting in a canvas that is as striking as it is dazzling. Korovine embraced all the advances and techniques of Impressionist painting, painting his subject outdoors on the spot, as Nadejda Ivanovna Komarovskaya (1885-1967), actress and close friend of the artist, recounted an anecdote from Villefranche-sur-Mer, testifying to the enthusiasm he aroused: "They surrounded Korovine and bombarded him with questions. When asked one of these questions about what he intended to depict, the artist jokingly replied: 'Most likely, I'll have to paint you, since you've blocked both the sea and the jetty I intended to paint. His reply provoked peals of laughter, and the crowd, albeit reluctantly, moved aside. When the charcoal outlines of the coastline and sea appeared on the canvas, the fishermen became agitated. They watched the process without interruption, and each brushstroke provoked a strong reaction among them. Two or three hours later, the painting was finished" (N. Komarovskaya, O Konstantine Korovine , Leningrad: Khudozhnik RSFSR, 1961, p.93). Thus, Konstantin Korovine's artistic career, marked by his sensitivity to light, his travels and his experiences in France, finds expression in works such as "Seaside in France", highlighting the totality of his talent and virtuosity.

Konstantin A. Korovin (1861-1939)  Born in Moscow, Konstantin Korovin began to study in 1875 at the city's School of Painting, Sculpture and Architecture first architecture and two years later painting.  Then he moved to the Academy of Arts in St. Petersburg, but left quickly.  From 1888 to 1894 Korovin traveled to the north, including Norway.  He designed costumes and decorations for various theaters.  In 1923 he settled in France, where he was strongly influenced by the French impressionists. (msc)

Constantin Alexeievitch Korovine also known as Konstantin Korovin, was born in 1861 in Moscow, Russia.