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Lodovico Carracci

Lodovico Carracci (1555 - 1619) was active/lived in Italy.  Lodovico Carracci is known for Altarpiece paintings with Madonna, frescoes, cathedral decoration.

The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.

They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84).

Lodovico was by temperament a fairly shy person who never found real success, unlike his cousin Annibale. Apart from traveling when young in the course of his studies and a brief and rather unpleasant stay in Rome, he spent all his life in the cosy atmosphere of Bologna, where most of his work still remains. He nevertheless has to be recognized as the first painter systematically to abandon the late Mannerist style in favour of a new kind of moral and devotional style of painting.

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Similar artists

.  There are 24 similar (related) artists for Lodovico Carracci available:    Annibale Carracci,  Giovanni Domenico Tiepolo,  Jean-Honore Fragonard,  Hubert Robert,  Thomas Rowlandson,  Jusepe (Giuseppe) de Ribera,  Baccio (Bartolommeo) Bandinelli,  Biagio Pupini,  Domenico Campagnola,  Battista Foggini,  Giacomo Cavedone,  Elisabetta Sirani,  Giovanni Lanfranco,  Ciro Ferri,  Carlo Maratti,  Lazzaro Baldi,  Joshua Reynolds,  Francesco (Parmigianino) Mazzola,  Pompeo Girolamo Batoni,  Bernardo Cavallino,  Gaetano Gandolfi,  Jacopo Da Empoli,  Giovanni Francesco (Guercino) Barbieri,  Bernardo Strozzi



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Facts about Lodovico Carracci

   Lodovico Carracci  Born:  1555 - Bologna, Italy
Died:   1619 - Bologna, Italy
Known for:  Altarpiece paintings with Madonna, frescoes, cathedral decoration
Name variants:  Ludovico Carracci

The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.

They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84).

Lodovico was by temperament a fairly shy person who never found real success, unlike his cousin Annibale. Apart from traveling when young in the course of his studies and a brief and rather unpleasant stay in Rome, he spent all his life in the cosy atmosp  ...  Displaying 750 of 3579 characters.

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