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Emanuel Phillips Fox

Emanuel Phillips Fox (1865 - 1915) was active/lived in Australia.  Emanuel Fox is known for Painting, impressionism, plein-art.

Emanuel Philips Fox’s art is grounded in nature and styled in the French Impressionist methods of plein-air painting. When interviewed in Melbourne before his 1913 exhibition at the Athenaeum, he said, ‘In art everything must start from the springboard of nature. One may treat nature realistically, decoratively, or as a basis for the expression of ideas, but nature must be there.’

Artist auction records

.  askART's database currently holds 161 auction lots for Emanuel Phillips Fox (of which 101 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Emanuel Phillips Fox as either "Wanted" or "For Sale" .

Research resources

.  askART lists Emanuel Phillips Fox in 0 of its research Essays. Emanuel Phillips Fox has 3 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Emanuel Phillips Fox available:    Kenneth J Knight,  Walter Withers,  Tom William (Thomas) Roberts,  Arthur Ernest Streeton,  Frederick Fred Ronald Williams,  Brett Whiteley,  Rupert Charles Wulsten Bunny,  Rick Amor,  Frederick McCubbin,  Albert Lee Tucker,  Jeffrey Edson Smart,  Roy De Maistre,  Clarice Majoribanks Beckett,  William Robinson,  Elioth Gruner,  John Brack,  David Larwill,  John Kelly,  Grace Cossington Smith,  Tim Timothy Austin Storrier,  Garry Shead,  John De Burgh Perceval,  Ethel Carrick Fox,  Rosalie Gascoigne



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Facts about Emanuel Phillips Fox

Emanuel Philips Fox’s art is grounded in nature and styled in the French Impressionist methods of plein-air painting. When interviewed in Melbourne before his 1913 exhibition at the Athenaeum, he said, ‘In art everything must start from the springboard of nature. One may treat nature realistically, decoratively, or as a basis for the expression of ideas, but nature must be there.’

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