(Born 1940) Ernestine Tahedl - Biography
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Ernestine Tahedl

Ernestine Tahedl (Born 1940) is known for Painting.

Ernestine Tahedl studied at the Academy of Applied Arts at Carl Unger. In 1963 she emigrated to Canada.

As the leading glass artist she was commissioned in 1967 to design the Canadian pavilion for the Expo in Montreal. Since the 1980s, she turned increasingly to painting.

They continued the art-historical positions of Turner and Monet and unfolded a lyrical and expressive, impressionist style in their landscapes.

Artist auction records

.  askART's database currently holds 31 auction lots for Ernestine Tahedl (of which 22 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Ernestine Tahedl as either "Wanted" or "For Sale" .

Research resources

.  askART lists Ernestine Tahedl in 0 of its research Essays. Ernestine Tahedl has 2 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Ernestine Tahedl available:    Brent Heighton,  Franziska Maderthaner,  Ken Christopher,  John Adrian Darley Dingle,  Claudette Castonguay,  William Levy Leroy Stevenson,  Thomas Harrison Wilkinson,  David Pugh,  Brent Laycock,  Otto Planding,  Louis De Niverville,  Bill (William) Frederick Duma,  Orestes Grandmaison,  Gordon Marich,  Rod Charlesworth,  Serge Brunoni,  Robert Hammerstiel,  Hilton Macdonald Hassell,  Mario Dalpra,  Marjorie Pigott,  Arto Yuzbasiyan,  Frederick Haines,  Illingworth Holey Kerr,  Roland Gissing



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Facts about Ernestine Tahedl

   Ernestine Tahedl  Born:  1940
Known for:  Painting

Ernestine Tahedl studied at the Academy of Applied Arts at Carl Unger. In 1963 she emigrated to Canada.

As the leading glass artist she was commissioned in 1967 to design the Canadian pavilion for the Expo in Montreal. Since the 1980s, she turned increasingly to painting.

They continued the art-historical positions of Turner and Monet and unfolded a lyrical and expressive, impressionist style in their landscapes.

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