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Jerzy Rosolowicz

He studied in the years 1948-1953 at the PWSSP in Wroclaw. He was one of the leading conceptual artists in Poland. After graduating, he painted metaphorical paintings inspired by the paintings of Paul Klee and Joan Miró. At the turn of 1957 and 1958, he began to create paintings that are considered some of the most interesting manifestations of matter painting in Poland. In the second half of the 1960s, he invented a device for catching dew and the Neutrodrome, a 100-meter-high structure in the shape of an inverted cone, which was intended to disrupt the functioning of human senses: smell, taste, hearing and balance. At the same time, he began to introduce lenses into his works, first mounting them in paintings, then placing them in frames, building regular compositions from them, combined with prisms. In 1968 he formulated the theory of the

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Facts about Jerzy Rosolowicz

He studied in the years 1948-1953 at the PWSSP in Wroclaw. He was one of the leading conceptual artists in Poland. After graduating, he painted metaphorical paintings inspired by the paintings of Paul Klee and Joan Miró. At the turn of 1957 and 1958, he began to create paintings that are considered some of the most interesting manifestations of matter painting in Poland. In the second half of the 1960s, he invented a device for catching dew and the Neutrodrome, a 100-meter-high structure in the shape of an inverted cone, which was intended to disrupt the functioning of human senses: smell, taste, hearing and balance. At the same time, he began to introduce lenses into his works, first mounting them in paintings, then placing them in frames,  ...  Displaying 750 of 853 characters.

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