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Louis Schanker

Louis Schanker (1903 - 1981) was active/lived in New York, Connecticut.  Louis Schanker is known for Abstract painting, printmaking and sculpture.

Biography photo for Louis Schanker
Known as one of The Whitney Ten, Louis Schanker became one of the protesters against the Whitney Museum for the museum's unwillingness to exhibit abstract art. From 1940 to 1960, he taught at the New School of Social Research in New York and from 1964 at Bard College.

As an artist, his emphasis was on experimentation and breaking away from Regionalism and Precisionism to focus on abstraction and emotional expression. However, he maintained that some element of realism lay at the core of his work.  In the 1930s, he was a WPA artist and worked on murals in New York City.

Partial Source:
Peter Hasting Falk, Editor, Who Was Who in American Art   ...  [Displaying 685 of 2660 characters.]  Artist bio

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.  askART's database currently holds 126 auction lots for Louis Schanker (of which 92 auction records sold and 1 are upcoming at auction.)

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Research resources

.  askART lists Louis Schanker in 0 of its research Essays. Louis Schanker has 13 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Louis Schanker available:    John Sennhauser,  Louis George Bouche,  Esphyr Slobodkina,  Vaclav Vytlacil,  Charmion Von Wiegand,  Carl Robert Holty,  Balcomb (John Wesley) Greene,  John Von Wicht,  Irene Rice Pereira,  Gertrude Glass Greene,  Karl Zerbe,  Lee Gatch Jr,  Jan Matulka,  Albert Gallatin,  Jimmy Ernst,  Ilya Bolotowsky,  Charles Sheeler,  Abraham Rattner,  Bernard Karfiol,  Arnold A Blanch,  John Ferren,  Marguerite Zorach,  William Samuel Schwartz,  Charles Green Shaw



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Facts about Louis Schanker

   Louis Schanker  Born:  1903 - New York City
Died:   1981 - Stamford, Connecticut
Known for:  Abstract painting, printmaking and sculpture
Name variants:  Louis Shanker

Known as one of The Whitney Ten, Louis Schanker became one of the protesters against the Whitney Museum for the museum's unwillingness to exhibit abstract art. From 1940 to 1960, he taught at the New School of Social Research in New York and from 1964 at Bard College.

As an artist, his emphasis was on experimentation and breaking away from Regionalism and Precisionism to focus on abstraction and emotional expression. However, he maintained that some element of realism lay at the core of his work.  In the 1930s, he was a WPA artist and worked on murals in New York City.

Partial Source:
Peter Hasting Falk, Editor, Who Was Who in American Art

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