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Michael Macliammhoir

Michael Macliammhoir (1899 - 1978) was active/lived in Ireland.  Michael Macliammhoir is known for Painting.

Whilst best remembered as an actor, Mac Liammóir originally studied painting at the Slade, London (1915-1916). From an early age he was fascinated by the work of Aubrey Beardsley and the decadence of Art Nouveau.

In London he joined the Gaelic League to learn Irish, which stood him in good stead when he arrived in Dublin c.1917. Henceforth he was pivotal in literary, dramatic and artistic circles, illustrating numerous books and famously devoting the main part of his energies to the Gate Theatre (see Snoddy, pp. 398-400).
 
Source: Auctions

Artist auction records

.  askART's database currently holds 51 auction lots for Michael Macliammhoir (of which 46 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Michael Macliammhoir as either "Wanted" or "For Sale" .

Research resources

.  askART lists Michael Macliammhoir in 0 of its research Essays. Michael Macliammhoir has 0 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Michael Macliammhoir available:    Jerome Stanley Conner,  Krystina Pomeroy,  Estella Frances Solomons,  George Collie,  Bea (Beatrice) Esther Orpen,  Flora Hippisley (Florina) Mitchell,  Lilian Lucy Davidson,  Brian Maguire,  George Russell,  Sarah Henrietta Purser,  Father Jack Hanlon,  Martin Gale,  William II Sadler,  Oisin Kelly,  Patrick Pye,  Maurice MacGonigal,  Nick Miller,  Kitty Wilmer O'Brien,  Rory Breslin,  Carey Clarke,  Desmond Hickey,  Barrie Cooke,  Patrick Swift,  Charles Vincent Lamb



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Facts about Michael Macliammhoir

Whilst best remembered as an actor, Mac Liammóir originally studied painting at the Slade, London (1915-1916). From an early age he was fascinated by the work of Aubrey Beardsley and the decadence of Art Nouveau.

In London he joined the Gaelic League to learn Irish, which stood him in good stead when he arrived in Dublin c.1917. Henceforth he was pivotal in literary, dramatic and artistic circles, illustrating numerous books and famously devoting the main part of his energies to the Gate Theatre (see Snoddy, pp. 398-400).
 
Source: Auctions

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