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Michael (Tracy 168) Tracy

Michael (Tracy 168) Tracy (1958 - 2023) was active/lived in New York.  Michael Tracy is known for Graffiti, street art painting, "monstercolors".

Biography photo for Michael (Tracy 168) Tracy
Michael Tracy, AKA TRACY168, one of the original creators of the art form called "graffiti," studied at the institute of Higher Learning, better known as the Lexington I.R.T. His canvas was the subway car and his pallet various cans of spray paint.

"The best year for graffiti was 1973," he ruminates. "Styles were coming out. We got into this thing with colors. First it was two colors, then three colors, then four. What makes me a powerful artist, " he states, " is that my paintings are alive, strong and very bright. The color combos make it. Balance: each color as strong as it is enhances the color beside it, going back and forth. Giving style and balance and movement, that is what makes a good artist."

"After the colors," TRACY 168 continues, "the challenge became who could do the biggest piece, the wildest. Then it was top-to-bottom, whole car, whole train. We worked on clouds and flames. We got into lettering. Everybody was trying to develop their own technique. When   ...  [Displaying 1000 of 5325 characters.]  Artist bio

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.  There are 24 similar (related) artists for Michael (Tracy 168) Tracy available:    Robert Ces Provenzano,  Ghost,  Hebru Brantley,  Dr Revolt,  Duster,  Futura 2000,  Jan Muller,  Steven Blade Ogburn,  Charmion Von Wiegand,  Crash,  Carlo Cope 2,  Nasty,  Sonic,  Seen,  Blek Le Rat,  Quik,  L'Atlas,  Faile,  Speedy (Olivier Rizzo) Graphito,  MissTic,  Pure Evil,  C215,  Mr Brainwash,  Angel Ortiz



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Facts about Michael (Tracy 168) Tracy

   Michael (Tracy 168) Tracy  Born:  1958 - New York City
Died:   2023 - Bronx, New York City
Known for:  Graffiti, street art painting, "monstercolors"
Name variants:  Tracy 168

Biography from the Archives of askART

Michael Tracy, AKA TRACY168, one of the original creators of the art form called "graffiti," studied at the institute of Higher Learning, better known as the Lexington I.R.T. His canvas was the subway car and his pallet various cans of spray paint.

"The best year for graffiti was 1973," he ruminates. "Styles were coming out. We got into this thing with colors. First it was two colors, then three colors, then four. What makes me a powerful artist, " he states, " is that my paintings are alive, strong and very bright. The color combos make it. Balance: each color as strong as it is enhances the color beside it, going back and forth. Giving style and balance and movement, that is what makes a good artist."

"After the colors," TRACY 168 continues, "the challenge became who could do the biggest piece, the wildest. Then it was top-to-bottom, whole car, whole train. We worked on clouds and flames. We got into lettering. Everybody was trying to develop their own technique. When I would go into a yard (train), the first thing I would do is look around and see who was good. That would be my objective. To burn the best writer in the yard, and I wouldn't leave until I did something better than him."

Because of these types of beginnings, most street graffiti was based on the macho culture of competition. How long will you take to do a car before you get caught? How big can you write your name? It was fueled by a rage against a society which didn't care about its kids. It was a form of communication and a way to gain recognition outside of community. It was perceived as the only way to escape the ghetto, and to become known and recognized in faraway places, like Brooklyn.

Wild Style® writing was developed as a language - a cultural statement - and its home was the Bronx. To TRACY 168, one of the inner-city writers who created this genre of art, its meaning goes deep:

Wild Style ®is what you do in your life.

Whatever you do, do it to the best of your ability.
If you're not the best, then find your purpose and be the best at that.
If you're an artist, postal carrier, plumber or salesman, just be the best.

Eventually, TRACY 168 became bored by spray painting trains as he felt he had no competition. He turned to painting wall murals in 1978 and his first paid assignment was the side of French Charly's Bar on Webster Avenue in the Bronx.

Regarding memorial walls for victims of urban violence, for which he is "artist of record" on many, he knows it is only a matter of time before there is another mural to be painted and another mother crying. "Like they said in the bible," he was recently quoted, "The dead will walk the earth. Sometimes I wonder if it started happening. The buildings are starting to look like tombs, and the people on crack are the walking dead."

His murals quickly became recognized for their individuality because of his need to give back to the community. He would ask people for their ideas and he would plan his mural so that it would have some message of guidance. For the kids, a positive message - no violence, no drugs.

It's time to start concentrating on the lighter, brighter side of mural painting. TRACY 168 feels his current work, which includes many cartoons, put people in a better frame of mind, and brings them to a better place. Many of his current pieces are commissioned by businesses who want to appeal to the locals and they have found his new approach to be vibrant, alive, colorful and playful. In TRACY 168's words, "this art form is what jazz is to music. A moment in time captured with the flair of the street people, most of all, alive!"

"REAL LIFE!!"

For TRACY 168, graffiti wasn't just rebellion or a gimmick to be heard in a society where you felt nobody really seemed to care--it meant creating something visual, with beautiful colors, to capture the city's audience in a medium never before used--the side of a NEW YORK CITY SUBWAY CAR.

"No media propaganda, no manipulating political intervention. It came from the hearts of its people. Us. We the people...the tail doesn't wag the dog, the dog wags the tail. The first time in history that what a citizen says isn't edited, changed, nor taken out of context. Thank ´GOD´ for this Art Form. And My talent, to be able to be part of it..."

Source:
http://www.bronxmall.com/tracy168/king.html


Biography from the Archives of askART

TRACY 168 was born Michael Tracy in 1958 at New York Hospital on E.68 Street. He is a well known 'Oldschool writer' from New York. He was known as one of the kings of graffiti and started the 'Wildstyle' style of graffiti.

He is featured extensively in the documentary Just to Get a Rep and discusses Wildstyle and the troubled relationship between graffiti and the established art world.

In July 2006, an art piece by Tracy 168 in 1984 utilized a real subway car door and showcased his piece on it. The piece was shown at the Brooklyn Museum of Art during their month long exhibit, "Graffiti.

Tracy 168 is famous for his tags of a drawing called Purple Haze ,which relates and serves as a tribute to Jimi Hendrix. The artwork was part of the Experience Music Project.

Source:
"Michael Tracy", Wikipedia, http://en.wikipedia.org/wiki/Tracy_168


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