(1909 - 1997) Tadeusz Kalinowski - Biography
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Tadeusz Kalinowski

Tadeusz Kalinowski (1909 - 1997) is known for Painting.

Tadeusz Kalinowski (1909 - 1997) “Tadeusz Kalinowski's paintings from the late 1960s were composed of circles, rectangles and triangles. On many of them, we observe rows of identical figures of the same size, which introduces the module as the basis for dividing the image field. The boundaries of the forms are always precisely drawn, and the colors are rigorously limited to a few pure, bright colors. The paint was spread evenly, with no visible brushstrokes or textural effects.” Maria Niemyjska, A Few Observations on Tadeusz Kalinowski's Geometric Abstraction [in:] Tadeusz Kalinowski, In the Century of Birth, Poznan 2009, p. 33

Artist auction records

.  askART's database currently holds 37 auction lots for Tadeusz Kalinowski (of which 13 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Tadeusz Kalinowski as either "Wanted" or "For Sale" .

Research resources

.  askART lists Tadeusz Kalinowski in 0 of its research Essays. Tadeusz Kalinowski has 6 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Tadeusz Kalinowski available:    Danuta Lewandowska,  Mikolaj Kochanowski,  Anna Cyronek,  Andrzej Partum,  Andrzej Gieraga,  Tamara Berdowska,  Aleksandra Jachtoma,  Aleksander Roszkowski,  Kajetan Sosnowski,  Jan Pamula,  Andrzej Nowacki,  Erna Rosenstein,  Lech Kunka,  Jan Ziemski,  Bronislaw Kierzkowski,  Jozef Robakowski,  Hilary Krzysztofiak,  Zdzislaw Stanek,  Jaroslaw Modzelewski,  Teresa Pagowska,  Jadwiga Maziarska,  Janusz Orbitowski,  Leszek Nowosielski,  Roman Artymowski



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Facts about Tadeusz Kalinowski

Tadeusz Kalinowski (1909 - 1997) “Tadeusz Kalinowski's paintings from the late 1960s were composed of circles, rectangles and triangles. On many of them, we observe rows of identical figures of the same size, which introduces the module as the basis for dividing the image field. The boundaries of the forms are always precisely drawn, and the colors are rigorously limited to a few pure, bright colors. The paint was spread evenly, with no visible brushstrokes or textural effects.” Maria Niemyjska, A Few Observations on Tadeusz Kalinowski's Geometric Abstraction [in:] Tadeusz Kalinowski, In the Century of Birth, Poznan 2009, p. 33

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