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Giulio Benso

Giulio Benso (1601 - 1668) was active/lived in Italy.  Giulio Benso is known for Illusory rendering of space and depth in painting and frescoes.

Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art.

Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He was entrusted with the continuity of the project for the presbytery of the Annunziata after the death of Ansaldo, requiring him to use the best materials and personal control of the entire construction site.

Artist auction records

.  askART's database currently holds 57 auction lots for Giulio Benso (of which 46 auction records sold and 1 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Giulio Benso as either "Wanted" or "For Sale" .

Research resources

.  askART lists Giulio Benso in 0 of its research Essays. Giulio Benso has 0 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Giulio Benso available:    Baccio (Bartolommeo) Bandinelli,  Pirro Ligorio,  Domenico Piola,  Aurelio Luini,  Pier Leone Ghezzi,  Ottavio Maria Leoni,  Francesco Salvator Fontebasso,  Paolo Farinati,  Pier Francesco Mazzucchelli,  Marcantonio Bassetti,  Giulio Romano,  Felice Giani,  Luigi (The Older) Sabatelli,  Gregorio Ferrari,  Francesco (Parmigianino) Mazzola,  Giuseppe Passeri,  Pietro Antonio III Novelli,  Giovanni Francesco Grimaldi,  Ennemond Alexandre Petitot,  Andrea Boscoli,  François Lemoyne,  Giacomo Cavedone,  Domenico Campagnola,  Federico Barocci



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Facts about Giulio Benso

Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art.

Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He was entrusted with the continuity of the project for the presbytery of the Annunziata after the death of Ansaldo, requiring him to use the best materials and personal control of the entire construction site.

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