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James (Darrell Northrup) Weeks

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James (Darrell Northrup) Weeks (1922 - 1998) was active/lived in California.  James Weeks is known for Modernist figurative, genre, landscape and interior paintings.

A painter and instructor of painting, James Weeks taught at the San Francisco Art Institute from 1958 to 1967, the University of California in Los Angeles from 1967 to 1970, and at Boston University from 1970 where he was Chairman of the Art Department.

Source: Peter Falk, "Who Was Who in American Art"   ...  [Displaying 310 of 5511 characters.]  Artist bio

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.  There are 24 similar (related) artists for James (Darrell Northrup) Weeks available:    William Theophilus Brown,  David Park,  Paul John Wonner,  Raimonds Staprans,  Joan Brown,  Nathan Joseph Roderick Oliveira,  Elmer Nelson Bischoff,  Manuel Neri Jr,  Roy Dean De Forest,  Roland Petersen,  Robert Carston Arneson,  Hassel Smith,  Bruce Alanson McGaw,  Frank Lobdell,  Dennis Hare,  Gordon Max Onslow Ford,  Henrietta Berk,  John Saccaro,  Emerson S Woelffer,  William T Wiley,  Jerome Kirk,  David James Gilhooly III,  Roger Edward Kuntz,  Gordon Cook



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Facts about James (Darrell Northrup) Weeks

   James (Darrell Northrup) Weeks  Born:  1922 - Oakland, California
Died:   1998
Known for:  Modernist figurative, genre, landscape and interior paintings

Biography from the Archives of askART

A painter and instructor of painting, James Weeks taught at the San Francisco Art Institute from 1958 to 1967, the University of California in Los Angeles from 1967 to 1970, and at Boston University from 1970 where he was Chairman of the Art Department.

Source: Peter Falk, "Who Was Who in American Art"


Biography from Modern Art Dealers

In 1922, James Weeks artist and teacher, was born in Oakland, California to Ansel Weeks, a widely known bandleader, and Ruth Daly, a respected classical pianist. As James grew, he started to find something he was passionate about – the arts. He was both artistically gifted and musically inclined and was a great jazz player. But, his passion was with art, especially in painting.

Because of his blooming interest in art, his parents enrolled him in an art class for children at the California School of Arts in the 1930s. He graduated High School with Richard Diebenkorn and William Wolff; both were future colleagues of James Weeks. After completing High School, James Weeks landed a job and studied painting at the same time. He learned from William Gaw, a traditional painter, and during the evenings, James took classes to further hone his painting skills.

After his artistic training, James Weeks was able to join the Bay Area Figuration, a first generation movement in San Francisco. The group created a new form of art style deviating from traditional Abstract Expressionism. James was one of the renowned members of the movement.

His works are most noticeable for their “flattened” style, bold and brilliant color schemes and aggressive interlocking shapes. This painting style was inspired by several modernist painters, like Maynard Dixon and Henri Matisse, and muralists such as Clemente Orozco. He was also influenced by artists like Courbet, Cezanne, Picasso, Walk Kuhn and Marsden Hartley.

As a respected member of the movement, artist James Weeks was appreciated for his exceptional paintings. He was known for his medley of forms and colors that pleasantly blend as a whole. It’s also clear that he values the exploration of space and lighting, thus making his works intricate and extraordinary. Unlike fellow Bay Area members, James Weeks artwork serves as a social commentary rather than the usual non-objective styles. He was always drawn to the darker side of things, so he painted the American culture in such a way. He loves to create characters that deliver a strong message to the viewers. A statement that speaks of the many issues our society faces. Some of his famous character portrayals are of boxing arenas, jazz clubs, political and social personas and the like.

Because artistic mastery of the art of Bay Area Figuration, James Weeks paintings are often used as samples in art classes. In fact, James was also an educator of this art style and motivated aspiring artists to appreciate the movement. From 1958 until 1967 he gave art lessons to aspiring painters in the San Francisco Art Institute.

There he worked fellow artists Elmer Bischoff and Richard Diebenkorn and gained ideas and inspiration from their collaboration. James Weeks also taught classes in advanced art techniques at the University of California from 1967 until 1970. He worked at Boston University as well and held the position of Chairman of the Art Department.

Until his death at the age of 75, James Weeks was able to maximize his painting skills, as well as teach, mentor and contribute to the Bay Area Figuration. James Weeks paintings are referenced in many art schools and are part of the foundation of the Bay Area Figuration movement.

James Weeks paintings can are in several galleries and museums like the Corcoran Gallery and the Hirshhorn Museum and Sculpture Garden in Washington D.C., the Museum of Fine Arts in Boston, and the Museum of Modern Art in San Francisco.

© Copyright 2018 Modern Art Dealers, Carmel CA


Biography from LewAllen Galleries

Figurative painter James Weeks was born in 1922 in Oakland, California, to bandleader Ansel Weeks and classical pianist Ruth Daly.  Considered a member of the first generation of Bay Area Figuration, his work is characterized by a signature "flattened" style, bold outlining of brilliant color fields, and aggressive, interlocking shapes.  His influences range from European Modernists Henri Matisse and Max Beckmann to California Modernist Maynard Dixon and Mexican muralist Clemente Orozco.
 
His works from this period are especially valued for their exceptional balance between color and form, as well as, their clear exploration of light and space. Unlike other members of Bay Area Figuration, Weeks never experimented in a non-objective style. He painted "the darker side of American culture": jazz clubs and sports arenas. His characters do not represent an everyman or seek to convey a universal truth about humanity; rather, they serve as social commentary.

James Weeks held teaching positions at the San Francisco Art Institute (1958-1967), where his colleagues included artistic luminaries Richard Diebenkorn and Elmer Bischoff; the University of California, LA (1967-1970), and Boston University where he acted as Chairman of the Art Department.

The work of James Weeks can be found in the collections of such prominent institutions as the Museum of Fine Arts, Boston; the San Francisco Museum of Modern Art; the Corcoran Gallery, Washington, DC; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C.


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